Typographic Checklist for Top Notch Typography

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One of the challenges of setting type, a major component of most design work, is getting all of the details just right. These seemingly small yet important aspects of setting type are what separate the amateurs and novices from the pros, and can make or break a job as well as a job interview (via your portfolio).

In today’s digital environment, designers are charged with doing their own typesetting – a skill that in pre-digital times, took many years to master. In the days of type shops staffed with experienced typographers (which is how it was done in my early days), it was their exclusive job to set type, both text and display, and to know all of the rules of professional typography. Now that ‘professional’ typesetting is done either by the designer, production person, or web master, one is expected to know everything that the seasoned typesetter of the previous days did, and in most cases, without proper training to do this. With all of the typographic rules, dos and don’ts, as well as the robust (and sometimes frustrating and counter-productive) features of today’s design software, it can be challenging get it all right!

A great way to learn (or refresh) your knowledge of the rules and guidelines of setting professional type, as well as to review typeset copy, is with a typographic checklist. This can keep you from committing type crimes, and assist you in finessing your typography for the most professional results. Here is a listing of what I consider the most important, as well as most frequently overlooked elements of setting type. You might want to save or print this list and review for each and every job, click on the links to learn more about each topic, or even make your own customized checklist from the topics below.

Typographic Typos

Just say no to these common typographic faux pas:

Spacing and alignment

Balanced spacing and alignment play a major role in professional-looking type.

Finessing Your Type

The devil is in the details, so take heed of these important points:

Feel free to share this article  with your colleagues, students, or anyone else who might benefit from its use!

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Ilene Strizver is a noted typographic educator, author, designer and founder of The Type Studio in Westport, Connecticut. Her book, Type Rules! The designer’s guide to professional typography, is now in its 4th edition.
  • Melody says:

    Thank you, thank you! This is a handy one-stop list that I can wave under people’s noses (ahem, respectfully share with colleagues) to maybe get them to back off about some of the weird conventions that they have developed because they misunderstand a tenet of design/layout/typesetting.

  • Kerry Gonzales says:

    This is a great list and all are topics I cover in my beginning type and layout class. However, there are a few changes I would make as to the usage of type in this article. The subheads are floating. They will look better if you pull them together a bit more and put more space between groupings:

    Typographic Typos
    (Close this up!)
    Just say no to these common typographic faux pas:
    (And bring this closer to the bulleted list.)

    Thanks for the list!

  • Derek Cross says:

    An excellent article, I would add: the column width, choice of font, font size and leading mix are also vital ingredients to the “art that conceals the art”. (anon)

  • Great list; Ilene knows her stuff.

    One addition I would make: after “Replace dumb quotes and apostrophes,” add “Make sure that apostrophes at beginnings of words are facing the right way.”

    And I would *not* recommend using hanging punctuation in text. It’s distracting, most of the time.

  • C.A. Savage says:

    Yes, the list is very good. Basic and classic rules to live by type-wise. However, there have been times (I am not proud to say) when I have slanted a typeface at 9° or 12° because and italic version did not exist and It Had To Be Done. The world did not end. It printed fine and the client was very happy.

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