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How to Buy a Computer for Creative Work

  • Buying a Computer for Creative Work
  • Making Catalogs that Work (with Less Work)
  • Designing for Neurodiverse Audiences
  • Selecting Body Parts in Photoshop
  • Resource of the Month: Jungle Illustration Set

February 2025

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How to Buy a Computer for Creative Work
Letter from the Editor

Letter from the Editor

Mike Rankin

If you’ve been a reader of CreativePro Magazine for any amount of time, you know that the vast majority of the content it contains is about using software. But that software doesn’t exist in a vacuum; it has to run on hardware. And over the long haul, the hardware you use can make a big impact on the experience you have at work. A program that seems slow and unwieldy on one machine may run smooth as silk on another. When you’re buying something that you’re going to use all day, every day, it’s critical to make the right choice. But how do you choose?

When it comes to buying a computer for creative work, the devil’s in the details. It’s no longer as simple as “buy the most expensive machine you can afford.” Choosing between brands, models, and hardware options can be a confusing affair. And just because something is new doesn’t necessarily mean it’s better for your purposes. Should your next machine have an NPU? And what the heck even is that?

Fortunately, Conrad Chavez is here to set you straight in this month’s feature article. He’ll walk you through basic hardware options like memory and storage, the implications of using AI, and configuring a machine with the right stuff to support the kind of work you do.

Also, keep your eyes open for articles later this year by Conrad on buying and configuring displays.

Next, Dean Perry walks you through his best practices for making catalogs that sell. Producing any kind of long document with InDesign can be a challenge, but catalogs can be especially tough, by virtue of the sheer number of moving parts. When you’re juggling thousands of product images, descriptions, and links, it’s critical to find a workflow that works for you—and a design that delights your customers.

Then, Kayleen Holt offers an eye-opening take on designing for a neurodiverse audience. Whether you realize it or not, up to 25% of your audience is neurodivergent, living with conditions such as ADHD, autism, dyslexia, or others that affect the way they perceive and process the information you’re presenting. Understanding and implementing inclusive design principles will maximize the impact of your work for everyone, and make you a better designer.

Our resident Photoshop expert, Steve Caplin, checks in with another great tutorial. This time, he shows how to use the Object Selection tool to select body parts quickly and easily.

Our Resource of the Month is a fun illustration set of verdant jungle foliage. Remember, leafy greens are good for you—and for your designs.

Enjoy!

Read More
← Return to All Issues

In This Issue


How to Buy a Computer for Creative Work

Build the best system for your needs without breaking the bank.


Make Catalogs that Work (with Less Work)

Transform your catalog designs from ho-hum to high performing with these tips.


Designing for Neurodiverse Audiences

Make your work more accessible for neurodivergent users—and stronger for everyone else too.


Selecting Body Parts in Photoshop with the Object Selection Tool

Adobe introduces the ability to select body parts and facial features automatically.


Resource of the Month: Jungle Foliage Illustration Set

Get your recommended supply of leafy greens here.



catalogs hardware neurodiversity selecting
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