TypeTalk: Titling Fonts and Titling Alternates
You may have heard the term titling font and wondered exactly what it refers to. Titling fonts are all-cap typefaces that have been designed to look best at larger sizes. They often have more weight contrast between the thick and thin parts of the characters, and they can have more condensed proportions than their text-sized cousins. They can also have more pronounced design details that add personality and elegance to larger settings. However, some titling fonts don’t follow this model at all, such as Neutraface Display Titling, which is a heavy weight, all cap version of lighter weights of this typestyle.
Titling fonts are usually single-weight variants of a type family, such as those available with Adobe Garamond Pro and ITC Golden Cockerel, but they can also be standalone designs, such as Victoria Titling MT Condensed.
Titling Alternates
Titling fonts that are part of a type family (as opposed to standalone designs) are often separate fonts you have to load and activate individually. But some OpenType fonts have titling alternates you can access from the Character panel in InDesign and Photoshop, or the OpenType panel in Illustrator.
I heard this rule of thumb for kerning: Visualize the space between letters as holding the same amount of water, i.e. small swimming pools of irregular shape with the same surface area so to speak. Any other rules of thumb for proper kerning/tracking adjustment?