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CC Libraries

Integrated with Creative Cloud services like Adobe Stock and apps like Photoshop and Illustrator, CC Libraries offer some amazing advantages over traditional InDesign libraries.

This article appears in Issue 83 of InDesign Magazine.

Integrated with Creative Cloud services like Adobe Stock and apps like Photoshop and Illustrator, CC Libraries offer some amazing advantages over traditional InDesign libraries.

Only a year ago, in the February 2015 release of InDesign CC 2014, a new kind of library was introduced to Adobe InDesign—called a CC library (short for Creative Cloud library). This CC library lives side by side with the traditional and familiar InDesign object library feature, which lets you store and reuse almost any kind of object you can create in InDesign. And CC libraries are in some ways similar… but in other ways very different. Different in a way that may excite you, or frustrate you, or, more likely, both.

The first version of CC libraries was pretty rudimentary, but Adobe enhanced it further with the release of InDesign CC 2015, in June of that same year, and even more with the November release of InDesign CC 2015.2. The result is that CC libraries are beginning to become not just interesting, but actually quite useful.

Unfortunately, the great majority of InDesign users (yes, I’m talking about you!) haven’t even tried the new CC library feature. In fact, your only encounter with it may be when the CC Libraries panel pops open unexpectedly if you create a new style or a new swatch color! So it’s time you were more formally introduced.

What’s New and Useful with CC Libraries

Most of you are probably asking: Why would I want another library format? You might not even use the regular InDesign object libraries. So here’s a list of what’s new and perhaps useful about them (and, need I say, things that InDesign libraries can’t do) to make them worth your trying out.

Note: From here on, I’m calling object

libraries “InDesign libraries” because they work only with InDesign documents; CC libraries work with many Adobe apps.

Here’s what CC libraries can do:

  • Accept any InDesign objects to be reusable in other documents, and these graphic assets are stored in two formats: as InDesign snippets, and also as PDF for use in Illustrator and Photoshop
  • Are accessible from any computer or mobile device to which you have access with your Adobe ID or viewed in a web browser (because they’re stored as Cloud files as well as locally on your computer)
  • Are found in Adobe Illustrator and Photoshop as well (virtually identical panels, with all the same content!)
  • Accept color swatches, color themes, and paragraph and character styles (which can be applied in Illustrator and Photoshop as well as InDesign)
  • Work with free Adobe mobile apps
  • Allow for entries/objects to be edited and updated by their original applications
  • Accept license-free artwork from the Creative Cloud Market and purchasable photos from Adobe Stock, all managed within the panel
  • Can be shared with others and used in collaborations with colleagues

The CC Libraries Panel

By default, in InDesign CC 2015, the CC Libraries panel is added to your existing workspaces. You can include it in any workspace you create. If you don’t see it, choose Window > CC Libraries to open it.

The CC Libraries panel is empty until you add assets to it. By default, it then creates a new library called My Library, which you can rename from the panel menu. You can create as many new libraries as you like, using the menu beside My Library at the top. To make it easier to search and find your assets later on, you should create and name libraries based on the projects you’re working on.

Tip: Organize the CC Libraries panel in its own vertical dock, to the left of your regular panels. That way you can let it grow long to reveal more items, or drag it wide to view Adobe Stock images at large size.

You can also create a new CC library by migrating an existing InDesign library: when an InDesign library is open, click the Migrate button () to migrate all the assets to a new or existing library. Alternatively, select items in a library, right-click, and choose Migrate Selected Item(s) to CC Libraries.

To view a library, choose its name from the library menu; you’ll see I’ve named mine “Kerala Travel Guide” to match the name of the project (Figure 1).

Figure 1: Use the CC Libraries panel controls to add and use assets in a library.

Figure 1: Use the CC Libraries panel controls to add and use assets in a library.

When you show items in list view, a label indicates the creator of graphics assets (Id for InDesign, Ai for Illustrator, Ps for Photoshop) or the file type (JPEG, SVG, PDF). Assets that InDesign can’t use are grayed out, like the Brushes category you see to the right. You can switch between list view and icon view at the top of the panel.

Adding Assets to a CC Library

As I said earlier, you can add a wide variety of helpful assets to your CC libraries. For example, you can add frames, paths, text on a path, or any other InDesign object (or group of objects). But you can also add paragraph and character styles, colors, and color themes—separate from any particular InDesign objects.

By the way, my examples in this article come from a travel guide I’m creating about the Indian state of Kerala (Figure 2). As we go along, you’ll see me working with a number of personal photos as well as other assets to demonstrate all of these types of imports.

Figure 2: Pages from the Kerala Travel Guide

Figure 2: Pages from the Kerala Travel Guide

Adding an InDesign object

You can select any InDesign object (a text frame, graphic frame, group of objects, and so on) and drag it into a CC library. The CC Libraries panel displays InDesign objects with an “Id” icon in list view, or with a tool tip saying “Created in Adobe InDesign” in icon view. You can also select an object and click the Add Graphic icon at the bottom of the panel.

Note that if the InDesign object includes a link to an external graphic, the graphic is not added. You must embed the graphic before adding the InDesign object.

By the way, the CC Library assigns a generic name to each InDesign object you add, such as “Artwork 5,” which is then displayed beside the thumbnail. It’s often a good idea to rename it to something more recognizable, which you can do by double-clicking on its name.

Adding a paragraph or character style

Unlike traditional InDesign libraries, CC libraries can save text formatting—whether or not you have used paragraph or character styles. There are three ways to add text formatting to a CC library:

  • You can select any styled text in an existing InDesign document (or even just place your cursor in the text) and then click the Add Paragraph Style button or the Add Character Style button in the CC Libraries panel.

If your text has a paragraph or character style applied to it when you add it to a CC library, the library remembers it. However, if any local formatting is applied on top of the style, the CC library will give the style a generic name, such as “Paragraph Style 1.”

  • Open the Paragraph Styles or Character Styles panel. Select the desired style name(s) in the panel. Click the “Add selected style to my current CC library” button (). If you’ve selected a style group, all of the styles within it are added.
  • When you create a new paragraph or character style, you have the option—which is turned on by default—to add the style to the current CC library (Figure 3). You can select which library to save the style to, and when you click OK, InDesign adds it to both the style panel and the selected CC library.

Figure 3: By default, when you add a new style or swatch, it is added to your current CC library. This option is sticky, so your most recent setting will stay current until you change it again.

Figure 3: By default, when you add a new style or swatch, it is added to your current CC library. This option is sticky, so your most recent setting will stay current until you change it again.

Note: Illustrator and Photoshop use as much of your InDesign-generated styles as they understand, and ignore the rest.

Adding colors

You can add colors to your CC libraries, either from a selected object (or text) or from the Swatches panel, and then use those colors elsewhere in InDesign, or in any other app that has a CC library feature.

To add a color from a selected object, click the Add Fill Color icon in the CC Libraries panel. Or, if your object or text has a stroke applied, you can click the Add Stroke Color icon.

Alternatively, you can add colors from the Swatches panel to your CC library (so that you can use them in other documents or apps). Select one or more solid color swatches (gradients don’t currently work), and click the “Add selected swatch to my current CC library” button in the Swatches panel. If you’ve selected a swatch group, all of its component colors are added.

Tip: To prevent the CC Libraries panel from flying open whenever you add a new style or color swatch (which may not even have anything to do with your current CC library), deselect Add To CC Library. This option is sticky; best to leave it unchecked until you really need it.

Adding a color theme: A color theme is a group of exactly five colors which can be saved, reused, and shared. Very much like with individual colors, you can click “Add this theme to my current CC library” to add any color theme to the Color Themes section of your CC library (Figure 4).

Figure 4: After creating a color theme with InDesign’s Color Theme tool, you can click this button to add it to your current library.

Figure 4: After creating a color theme with InDesign’s Color Theme tool, you can click this button to add it to your current library.

For more about working with color themes, see the “Adding Color Themes” sidebar in “What’s New in InDesign CC 2015.2,” InDesign Magazine December 2015.

Using CC Library Assets in InDesign

Once you have added assets in your CC library, you can begin to use them in your InDesign documents (or, as I said, in Illustrator, Photoshop, and so on). You can place graphics, apply paragraph or character styles to text, or assign colors to text or objects. In this section, we’ll talk about how to use library assets imported from InDesign CC, Illustrator CC, or Photoshop CC. You can also use the library to work with Adobe Stock photos, but I’ll explain that in a later section.

Adding assets in Illustrator CC and Photoshop CC  The CC Libraries panel looks almost exactly the same in Illustrator CC or Photoshop CC as in InDesign, except that in the former two, it’s called the Libraries panel. In Photoshop CC, you can drag a layer to add it to a library. By default, it will name the new asset by the layer name (Figure 5). In this example, the asset name is initially Background; I’ll rename it Great Hornbill after the name of the bird in the picture.

Figure 5: I’m adding a Photoshop image to my library by dragging a layer to Photoshop’s Libraries panel.

Figure 5: I’m adding a Photoshop image to my library by dragging a layer to Photoshop’s Libraries panel.

There are a few differences in how Illustrator CC and Photoshop CC handle libraries. Here are links to Adobe’s Help files for Illustrator and Photoshop.

Placing a graphic

There are two ways you can place graphics from a CC library into an InDesign document: by right-clicking on one or more selected items and choosing a Place command from the context menu, or by dragging the assets onto the page. In either case, you’ll see InDesign’s normal “place gun” cursor, which lets you click or drag.

If the graphic originated in InDesign, the only option when you right-click is Place Copy. InDesign recognizes the snippet file (IDMS) and copies it into the document; that is, you get one or more editable InDesign objects. Dragging and dropping produces the same result. In other words, the assets are not linked to the CC library. This means that if you later edit the InDesign asset in the library (I’ll explain how that works later), it will not update on your document pages.

However, CC library assets that originated in Illustrator or Photoshop are handled very differently. If you right-click on one of these, you can choose between the Place Linked or Place Copy commands:

  • place linked graphic is not linked to your hard drive or a server and doesn’t have a normal file path; rather, it’s linked to a named CC library, and marked by a cloud icon both in the Links panel and on the corner of the graphic itself (Figure 6).
  • place copy graphic is embedded as a copy of the asset. It shows no icon on the graphic, but appears in the Links panel with an “embedded” icon (). (This is basically the same as placing a linked graphic and then choosing Embed Link from the Links panel menu.)
Figure 6: Clockwise from bottom left: a link to a local drive or server, a link to a CC library asset, an embedded image, and an out-of-date link to a CC library asset.

Figure 6: Clockwise from bottom left: a link to a local drive or server, a link to a CC library asset, an embedded image, and an out-of-date link to a CC library asset.

If you drag one of these graphics onto your page, it will become linked to the library. If you want an unlinked, embedded copy, hold down Option/Alt when you drag-place the graphic.

Of course, the great thing about linked graphics is that when you edit them once, every instance gets updated wherever it appears. Note that you can edit a CC library asset only in its original application (again, more on that in a moment). If the links are out of date, you’ll see the out-of-date cloud icon in the Links panel and on the graphic (Figure 6 again).

Character and paragraph styles

Working with paragraph and character styles is a bit simpler than understanding how graphics are handled.

If you want to move paragraph or character styles from a CC library to your Paragraph Styles or Character Styles panel, first ensure no text or text frames are selected on your page when you select the styles in the appropriate section of the CC Libraries panel. (You can select more than one by clicking on one and then Command/Ctrl-clicking on others—or Shift-click to also select all the items between.) Then right-click the selection, and choose Add to Paragraph Styles or Add to Character Styles.

If you want to apply a single CC library paragraph or character style to text, first select the text in your document. (You can either select a text frame with the Selection tool or select text with the Type tool.) Then just click on the style in the CC library. InDesign both applies the formatting and adds the style to the Paragraph Styles or Character Styles panel.

Note that style hierarchies included in styles—such as Based On or Nested Styles—are honored. For example, if you created a nested style as part of a paragraph style, both the paragraph style and included character styles will be added to the appropriate panels.

Colors and color themes

You may want to apply colors in a CC library to objects or text. If so, first select the object or text in your document, and then choose the fill or stroke proxy (at the bottom of the Tools panel, or the top of the Swatches or Color panel). Finally, to apply the color, just click any color from the Colors or Color Themes section of a CC library.

Or, you may want to add a color or color theme from a CC library to your Swatches panel in your current document:

  • When you apply a CC library color to any object or text on your page, InDesign automatically adds that color to your Swatches panel. Or, you can select one or more colors in the CC library, right-click one of them, and then choose Add To Swatches.
  • In the Color Themes section of a CC library, click on a color theme, right-click, and choose Add Theme To Swatches. The color theme will appear as a color group containing the same swatches. Or, click on the color theme to enlarge the swatch display in the library. Then, right-click the swatch you want to add, and choose Add To Swatches. Only that swatch will be added to your Swatches panel.

Adding Images

You may want to add artwork and photographs to your project, either for free from the Creative Cloud Market or by purchasing a subscription to Adobe Stock. I wanted to add both artwork and photographs to my Kerala Travel Guide.

Creative Cloud Market

The Creative Cloud Market was added as a free service for Creative Cloud members back in 2014, but many users still don’t know it exists. The Market contains assets licensed to Creative Cloud members to use, royalty free, in their design projects. It appears in the Creative Cloud desktop application (found in the menu bar on a Mac or the taskbar in Windows). Click on Assets, and then on Market.

There’s a drop-down menu to search for particular types of artwork. These include PSD files for placement or user interfaces; vector shapes, which are saved as SVG files; icons and patterns, which are often PNG or SVG files; and Photoshop brushes.

I had my best luck by searching for a topic in the search field at the top. For example, for my travel guide, I was looking for vector art of an elephant, so I used “elephant” as a search term (Figure 7). If you find something you like, click the download button, and select the library where you want to save the art.

Figure 7: When you search the Creative Cloud Market, you can select royalty-free art, which you can save to a CC library.

Figure 7: When you search the Creative Cloud Market, you can select royalty-free art, which you can save to a CC library.

There is one major problem with the vector art: it is currently all saved in the SVG format—and InDesign CC doesn’t currently read SVG. We’re all hoping this will change in the future, but in the meantime, when you place an SVG file from a CC library into your InDesign document, you get a bitmapped PNG image.

Fortunately, it’s pretty easy to convert an SVG graphic to vector art that InDesign can read: double-click the asset in the CC Libraries panel, which opens it in Adobe Illustrator. Now select all the artwork, and click the Add button in Illustrator’s Libraries panel to create a new CC library asset. You can now close the original SVG graphic without saving, and delete the old SVG from the CC Libraries panel if you want to. When you switch back to InDesign, you can use the vector art document properly.

Adobe Stock

One of the enhancements that came with the InDesign CC 2015.2 update in November 2015 was the integration of the Adobe Stock service into Creative Cloud libraries. Creative Cloud members get access to over 45 million photos, illustrations, vector graphics, and videos (though you typically have to pay an extra fee for the rights to use the high-quality images).

You can search Adobe Stock from within the CC Libraries panel. I was looking for pictures of the Chinese fishing nets that are an iconic feature of the Kerala backwaters. At the top of the panel, I chose Adobe Stock from the field’s menu, and searched for “Kerala fishing” (Figure 8). To see the results clearly, it’s a good idea to enlarge the panel as much as possible. I found an image I liked a lot, clicked the download button, and saved it to my Kerala Travel Guide library.

Figure 8: You can search Adobe Stock in the CC libraries panel. If you’d like to download a preview, you can save it to your current CC library.

Figure 8: You can search Adobe Stock in the CC libraries panel. If you’d like to download a preview, you can save it to your current CC library.

Alternatively, you can choose File > Search Adobe Stock to open your web browser to the Adobe Stock website, where you can see the pictures larger. You can download a preview image from the website to your selected CC library.

I dragged the downloaded file from the library into my layout to use as a cover image. Initially, it appears as a low-resolution place linked image with a watermark (Figure 9). I can leave it in that format while creating proofs or even applying effects in InDesign.

Figure 9: A downloaded but unlicensed Adobe Stock photograph can be placed with a watermark at low resolution.

Figure 9: A downloaded but unlicensed Adobe Stock photograph can be placed with a watermark at low resolution.

I chose to buy that image, so I right-clicked the thumbnail of the image in the CC Libraries panel and chose Buy Image. (You’re actually licensing the image, not buying it.) You’ll be prompted that you’re using one of your monthly quota of images. Within a short time, the watermark goes away. The low-resolution image is replaced by a high-resolution image (Figure 10).

Figure 10: Once you’ve licensed an Adobe Stock photograph, it’s replaced with a high-resolution version with no watermark.

Figure 10: Once you’ve licensed an Adobe Stock photograph, it’s replaced with a high-resolution version with no watermark.

For more information, see Using Adobe Stock and Designing with Adobe Stock.

Adding Assets Using Mobile Devices

In the past few years, Adobe has released a number of free mobile apps designed to capture or create artwork, colors, and other assets. They integrate with Adobe desktop apps and use their file formats. In many cases, CC libraries provide the connective tissue between desktop and mobile applications. For example, I used the Adobe Capture CC app on my iPad to add color themes and shapes to the project. See Take Your Design Workflow Mobile with Adobe Capture CC and Adobe’s Mobile Creative Apps at CreativePro.com for more information on mobile workflows.

Managing CC Libraries

As you start to work more with CC libraries, you’ll find there are a number of maintenance tasks you’ll need to perform with your libraries and library assets, such as renaming them, deleting or editing assets, or viewing them in a web browser.

Renaming and deleting libraries

It’s easy to rename a library: just select the library from the CC Libraries drop-down menu. Click the panel menu, and choose Rename [library name]. When the name is highlighted, retype it, and click Rename.

Similarly, to delete a library that you no longer need, select the library from the menu and choose Delete [library name] from the panel menu. You’ll be asked to confirm the deletion.

Moving, copying, duplicating, renaming, or deleting assets

Sometimes library assets need to be moved, copied, renamed, deleted, or duplicated:

  • To duplicate one or more library assets, select the assets. Right-click, and choose Duplicate (for one asset) or Duplicate Selected Items (for more than one). The duplicate is named the same and placed in the same library (yes, this works).
  • To copy or move library assets to another library, select the assets. For one asset, right-click, and choose Copy To or Move To. If you select more than one asset, right-click, and choose Copy Selected Items or Move Selected Items. Then in the submenu, select the new library name to copy or move the assets.
  • To rename an asset, right-click an asset in a library, and choose Rename. You can also just double-click the asset name. The name is highlighted. Type the new name, and then press Enter or Return.
  • To delete one or more assets, select the items, right-click, and choose Delete or Delete Selected Items. The assets are deleted immediately. Remember that CC libraries are shared across “the cloud,” so if you delete something in InDesign, it will disappear in all the places you use that library (other apps, and so on).

Editing and Relinking an Asset

Whether and how assets can be edited depends on what kind of assets they are:

  • To edit a color, double-click the color swatch (or right-click on the color and choose Edit). The InDesign Color Picker appears, and you can select a color, and click OK. Note that editing a color swatch inside a CC library does not change any instances where you’ve used that color in your InDesign documents. To change those, you must use the Swatches panel.
  • To edit an InDesign asset (that is, library items that were originally InDesign objects), double-click it, or right-click and choose Edit. InDesign will open the library item as a new, temporary InDesign document. After you make your changes, simply save and close the temporary file. The asset in the library is automatically updated.
  • Similarly, to edit an Illustrator or SVG graphic, you can double-click it in the CC Libraries panel (or right-click and choose Edit). Illustrator CC should launch and open the graphic for you. Again, this is just a temporary file that you can edit. When you save the graphic and close it, it is automatically updated in the library. Of course, if you have placed this library item in your InDesign document as a linked graphic, you’ll be prompted to update it in the Links panel.
  • For some reason, InDesign’s CC Libraries panel cannot currently force Photoshop to edit images. So, until Adobe fixes this, to edit a Photoshop asset (or other bitmapped asset like a JPEG), you’ll have to open Photoshop yourself, open its Libraries panel, double-click the asset, and edit it in Photoshop. When you save, and if this is a place linked graphic, you’ll be prompted to update it wherever it’s placed.
  • Unfortunately, you cannot edit paragraph and character styles in a CC library. Instead, you’ll need to create a new style and add it to the library. Then, if necessary, delete the previous style. Similarly, color themes cannot be edited, so you’d need to replace them instead.

Editing linked files created in Illustrator or Photoshop InDesign CC 2015.2 sports an Edit Original command in the Links panel, even when the graphic is stored in a CC library. Choosing that option launches Illustrator so you can edit the graphic. If you do the same with a Photoshop library graphic, you’ll get a warning that “this item isn’t directly editable in InDesign.” You’ll have to manually open Photoshop and right-click the file in the library to edit it.

I mentioned updating graphics that are linked to CC libraries, but sometimes you need to relink your graphics—changing them to link to another library graphic. You can do this in the Links panel (not the CC Libraries panel). First, select the graphic to be relinked, and then click the Relink From CC Libraries icon or choose Relink From CC Libraries from the panel menu. Now, in the CC Libraries panel, you’ll be prompted to select a graphic to relink. Select a different graphic, and click the Relink button (Figure 11).

Figure 11: To relink a graphic to another CC library graphic in the Links panel, click the Relink From CC Libraries icon. Then, in the CC Libraries panel, select the replacement graphic.

Figure 11: To relink a graphic to another CC library graphic in the Links panel, click the Relink From CC Libraries icon. Then, in the CC Libraries panel, select the replacement graphic.

Searching for assets

The more you use CC libraries, the more assets you add, and the harder it is to find them again! Using more libraries (for example, a different library for each project or client) can help you organize your assets. Another option is to use the search field at the top of the CC Libraries panel—yes, the same search field that can be used to search for Adobe Stock can also be used to search for assets in libraries. Click the small triangle to the right of the search field, and choose Current Library or All Libraries.

When you’re searching for assets, remember that you can type almost anything that may appear in the name or description of the item. For example, if you don’t remember the name of the paragraph style, but you know that it uses the Franklin Gothic font, you can just type “Franklin,” and the CC Libraries panel will display all the character and paragraph styles that use that font.

Working with library assets in a web browser

Another way to work with a CC library is to view it in your Creative Cloud Files area on the web. The Files area includes libraries, files that you’ve uploaded, and artwork created in mobile devices.

Some commands (like those for sharing or collaborating) open your web browser to this area automatically. For example, an easy way to view your library assets is to use the Creative Cloud Desktop application. Choose Assets > Files > View On Web. You can also view it by logging in to your account at Adobe.com and clicking the Libraries link in your profile.

When viewing your libraries in a web browser, the categories are summarized at the upper left. Clicking on a library opens thumbnails of its contents (Figure 12). At the upper right are commands for working with assets: you can choose viewing and sorting options; find commands to move, copy, rename, and delete assets; or use the sharing and collaborating commands described below.

Figure 12: You can also access your CC library assets in a web browser.

Figure 12: You can also access your CC library assets in a web browser.

Sharing Assets and Collaborating

Similar to cloud services like Dropbox or Google Drive, the Adobe Creative Cloud provides the ability to share a link to a library (or other Creative Cloud file) or to collaborate in working with your assets with other colleagues. But let’s get clear about Adobe’s terminology: Sharing lets users download a read-only copy of a folder, or individual assets, but leaves your assets unchanged. Collaborating gives a colleague full access to edit or share the assets.

Sharing assets

Public sharing of assets ensures that you retain complete control over your content. Recipients get read-only access to your assets, which means they cannot upload, update, or delete them. When working with individual files on disk (or in the cloud), the shared assets are accessed using a unique short adobe.ly URL that you send via email or copy/paste to share. At any time, you can turn off the URL to revoke access.

When it comes to sharing a CC library, select the library in the CC Libraries panel, and choose Share Link from the panel menu. You’ll get switched to your web browser, and see the Send Link window. If your asset is not already public, you must check Create Public Link. Then a public link and URL are created (Figure 13).

Figure 13: You can send a read-only copy of your CC library assets to colleagues to view or download.

Figure 13: You can send a read-only copy of your CC library assets to colleagues to view or download.

Specify the email addresses you want to send the link to, or copy the link provided. If for some reason you want people to be able to see your assets but not download them, click Advanced Options, and deselect Allow Downloads.

Clicking the short URL opens the shared file or folder in a web browser. Recipients don’t have to be Creative Cloud members to view or access publicly shared files and folders.

If you want to stop sharing the library, choose Share Link again from the CC Libraries menu. The web interface opens, and in the Send Link window, choose Remove Public Link.

Collaborating

Sharing a library of assets is interesting, but what’s really cool is that you can collaborate with colleagues on a library! As I said, collaborating means you’re giving editing rights, too, so they can view, edit, use, rename, move, or delete the contents of a shared library. Be careful whom you choose—the CC Libraries panel doesn’t have an undo feature. Collaborators will need an Adobe ID; if they don’t have one already, they can create one when they accept the invitation.

Inviting colleagues. To invite colleagues to collaborate on a library, select the library in the CC Libraries panel, and choose Collaborate from the panel menu. You’ll be transferred to the Libraries section of My Assets (as described above in “Working with library assets in a web browser”).

An invitation window appears where you can enter an email address and optional message to the person you’re inviting to share a library (Figure 14). After doing so, click Invite. You can then invite additional colleagues as well.

Figure 14: When beginning a collaboration, this dialog box creates an invitation to those you want to include.

Figure 14: When beginning a collaboration, this dialog box creates an invitation to those you want to include.

When someone accepts your invitation (see below), you’ll receive a notification and the activity will show in the Home tab of the Creative Cloud desktop application. In the Libraries category of your Creative Cloud files, the library now appears in the Shared section, and a small Share icon appears beside its name.

Accepting an invitation. If you’re logged in with your Adobe ID in the Creative Cloud desktop application, you’ll see an Updates And Requests banner at the top of the application. Click the banner, and click the Accept button. You’ll also receive an invitation email, sent by Adobe Creative Cloud, with a link you can click to accept (Figure 15).

Figure 15: Your invitee will receive a link to begin the collaboration process.

Figure 15: Your invitee will receive a link to begin the collaboration process.

All invited members of the Shared Library can now perform all the functions I’ve described above.

Managing a shared library. You can manage collaborators to a shared library by choosing Collaborate from the CC Libraries panel menu. The Collaborators window in the web interface displays the status of your invitations. The person who initially shared the library is the “owner.” Collaborators who haven’t yet accepted the invite have “Invited” displayed next to their names/email IDs.

To remove a single user, click the X icon next to the user, and click Remove Access (if the collaborator has accepted the invitation) or Remove Invitation (if the collaborator hasn’t accepted the invitation yet). Or, to take back the whole thing so that you’re no longer collaborating, delete all the users of the library.

On the flip side, if you are a collaborator on someone else’s shared library, and would like to stop sharing it, select the name of the library in the CC Libraries panel, and choose Leave Library from the panel menu.

Important limitations. Adobe has restricted the file space allocated to a paid Adobe ID to 20 GB. A free membership is limited to 2 GB. Shared assets take up space in each participant’s storage quota, including free members. That would limit the ability to share many large files with free members.

For more information about collaborations, view the Collaboration FAQ.

Take it for a spin!

While the Creative Cloud library feature is still evolving, its advantages over old-fashioned InDesign libraries are clear (and will only grow in the future). So why not kick the tires? When you have a new project or a point in your schedule with a little time to experiment, give CC libraries a try. Once you see them in action, chances are you’ll wonder how you ever got along without them.

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  1. Can’t stand CC libraries. I came here on a search to find out how to disable the stupid window from popping up every time I want a new swatch or similar actions. Pfft.

    1. Mike Rankin

      Sharon, if you turn off the checkbox in the new styles and swatches dialog boxes the panel won’t keep popping open. To keep it from coming back when you restart InDesign, check out this post: https://creativepro.com/how-to-keep-the-cc-libraries-panel-closed.php

      1. Ooo, Thank You Mike!

  2. My creative is halfway between upgrading to CC, some partners are (unnecessarily gun shy about making the upgrade). I recently created several Libraries in CS6 to support a new catalog design and production workflow. Somebody mistakenly opened them in CC and now nobody working in CS6 can open them. Does anybody know if a (native) CC Library back to CS6, or do I have to rebuild 4 libraries containing 100+ objects all over again?

    1. Anne-Marie Concepcion

      Jim, I’m able to open libraries between CC 2017 and CS6 without an issue, I just tested (though not extensively).

      I created a library in CS6, added a shape and a text frame, closed it, opened it in CC 2017, added something, closed it, opened it in CS6, the added object was there. Then I created a (“traditional”) library in CC 2017, added a couple things, and I was able to open it in CS6.

      Can you test for yourself, if you have both versions?

  3. Ian Cuthbert

    I love InDesign and have been with it since the first iteration. But as a sole trader design agency, libraries of any type – including CCLibraries – are of very limited value. I have tried and tested ways of saving all kinds of content and settings. If I’m working on a brochure or web graphics for a client and want the right colours (for any CC app I use), I have these saved as Adobe .ase files – it takes five seconds to import them into a new job. For paragraph and character styles I can import these just as quickly from other jobs through the styles panels. If I want to reuse a graphic created in InDesign (or, in most cases, in Illustrator) I can quickly locate an existing file and simply copy and paste it into a new document.

    For businesses where teams are working using shared assets, I can really see the value of CC Libraries, but for a sole trader it would be great to just be able to switch is off for good so that panel doesn’t keep popping up every time they create a style or swatch and at other random moments.

  4. Henri Kuijpers

    I worked with the CC libs, but I decided to work again with my old Libs again, and only for the reason that I could place all my content on the exact same place as where I placed it in my Lib. With Ctrl Place it’s gonna be placed on the same place as where it was before it was added to the Lib. I use it a lot…

    1. David Blatner

      Henri: That is a good point, but this works with CC Libraries, also! First, add an InDesign object to the CC Library. Then, when you drag it out (or right-click and choose Place) from the CC Library, it will give you a Place cursor. Hold down the OPTION/ALT key and then click. That tells InDesign to put the object in the same original location.

      1. Henri Kuijpers

        Hi Birgit,
        You first have to place it in InDesign on the spot you want. If you place it from there in InDesign, then it is placeable on the same spot again if you pick it out of the Lib an then hold down the Option/Alt key and click anywhere in the InDesign document and it will snap to the same spot as where you picked it up before ;-)

      2. Birgit Ewert

        Hi David, I tried to place an object to the same position using the option key, but it just put the bloc where I clicked and not to the original spot, where I put in it in the CC library. I just upgraded to CC 2017.

      3. Hello David,

        Thanks for your input, I tried it before, but didn’t know that this was the solution. Thanks, but for now I still believe in my ‘non’-Cloud Lib ;-) haha

  5. Keith Gilbert

    Thanks for this excellent article Steve. It is this kind of in depth article that makes InDesign Magazine essential reading for anyone who wants to extend their InDesign skills and/or learn new workflows and techniques.

    I love CC Libraries. I end up using them in some way almost every day.

    One addition regarding placing a linked asset: You might wonder what happens to Linked assets when you choose File > Package in InDesign, since these assets are linked to an asset in your cloud storage. Well, thankfully, InDesign gathers up copies of these assets and puts them in your Links folder properly with all your other linked images. All is good!

  6. Eugene Tyson

    Back on track for the CC Libraries.

    I do use them. They are good. They are a pain, especially when the Add to CC Libraries is ticked and something gets added to the wrong library. Or it automatically closes the swatches panel and opens the other panel.

    There’s a few things missing though, for me. For example, I have a list of the companies we do branding for, so I loaded up all their swatches into the libraries, very neatly done.

    It’s great to start a project and go to the library and access the colours directly.

    But it would be great if there was a – LOAD SWATCHES – button that would load the CC libraries you have open into the Swatches Panel.

    Oh wait there is – select all the swatches – then right click and add to swatches.

    It’s beggars belief why there wasn’t a button for this… it’s not in any drop down menu – it’s not intuitive.

    It’s not well designed.

    1. Eugene, thank you for informing those of us (me) who hadn’t yet figured out how to add swatches from CC Libraries. I’ve managed it somehow in the past, but that was after a lot of flailing and cursing, and I couldn’t replicate it.

      On CC Libraries in general: I was really excited about it, and it has some use, but lately I’ve found that I’ve reverted back into the habit of loading styles from older documents. That might just be what’s most efficient based on my workflow though. I imagine if I collaborated more with other people CC Libraries could have some very serious benefits.

  7. Frans van der Geest

    No, I could never go back and maybe I stated it a bit ‘strong’ but I do feel that real innovation and exiting developement was once that specific InDesign selling point and I can’t help feeling myself, as well as what I hear from many users, that this is disappointing to say the least since the CC brand…
    And while maybe CC libs are a useful addition, it is not a priority, nice but it is not a great selling point in closed working enviremonts and Europe in general. What is, besides innovation: bug fixing. We all know how many outstanding bugs there are.
    Now why did I mention Quark (a real altenative? No of course not, that was not the point At all) : because they now tickle us… and I wish that InDesign did the same again like it used to. And I know many, many of us feel the same way.

  8. Steve Werner

    While I love InDesign, and it’s my favorite Adobe application, I spend a lot of time in other applications—particularly Photoshop, Illustrator and Acrobat. I co-wrote a Peachpit title, Real World Adobe Creative Suite 2 with Sandee Cohen. I’ve always been looking at ways to tie together Adobe’s applications, to move data between them. And that’s how I teach those applications.

    That’s why I have been so fascinated with CC Libraries. They provide new solutions to many problems that have existed for a long time: How do you move text formatting or colors or graphics from Illustrator to InDesign to Photoshop? How do you share assets in a multi-application project with other people in an efficient way?

    The Adobe Creative Cloud breaks down some of the boundaries between applications and lets designers bring in artwork from their tablets and smartphones with Comp CC, Capture CC and other apps. The CC Libraries provide a seamless way of sharing those assets with desktop apps. Using clip art or stock photos isn’t a new feature, but using them with CC Libraries is easier and smoother.

    While these features may not be of interest to you if you work in a narrower InDesign-centric workflow, this is of interest to lots of the graphic designers, marketing professionals, and other users that I teach.

    Try out the new features before you dismiss them in such a cavalier manner.

    1. Mike Rankin

      Steve’s exactly right. Folks need to try out CC libraries to see the advantages they have over traditional libraries. I love using them in our magazine production workflow. I’m not a fan of anything just because it’s shiny and new. It has to actually DO something useful for me, and CC libs do. They’re not perfect, but they’re definitely not a silly/useless feature.

  9. David Blatner

    I really have to disagree with both of you on this one. I’m using CC Libraries more and more. It’s still “young,” but it shows great promise and is very useful. I particularly like that people can collaborate on libraries easily. And it’s super helpful to be able to find InDesign snippets and graphics to import.

    My biggest wish is that it would allow linking to InDesign snippets, so that if you edit the CC Library objects, it would update in the InDesign page, too.

    As for comparing InDesign to QuarkXPress… um, seriously? Have fun! Let us know how it works out for you.

    1. It’s probably okay if you have a decent connection. I’m in Australia where broadband is generally poor and CC Libraries trying to connect all the time slow down my workflow. Adobe should really make it easier to opt out.

  10. Eugene Tyson

    Firstly, who gives a hoot about CC libraries… well it’s the high corporate end who don’t do design at all, at least that’s what I learned over the years.

    CC Libraries are at the moment a selling point… hey look we do Cloud stuff… not very well but hey we do them!!!

    I really hope Quark can do proper conversions to its software. EPS – it’s dead as a door nail – and Adobe control that format really.

    Editable PDF, well PDFs are designed as final format. But in a prepress environment you are tasked with editing PDFs. Ugly, but work work that needs to be done.

    Yes I can edit a PDF and make it print ready. I’m yet to find software that can do this from supplied artwork. Yes I can rework, but no what’s supplied is usually not workable.

    We all wish InDesign did more than well Design. Enhanced photoshop features for example as controlable in Indesign would be amazing. And of course, who wouldn’t love to convert a PDF to InDesign, or open it in InDesign and make edits.

    Why InDesign has not got a Save as PDF and compatible indd file like Illustrator has – >?

  11. Frans van der Geest

    First thing I disable by moving the InDesign.angular out of Resources/CEP/Extensions.

    Who gives a hoot about CC libraries.

    Have you seen what Quark is planning for QuarkXPress 2016? Converting placed PDF, EPS or AI (and even copied over items from InDesign) and Excel and… you name it to native items. Yes: edit PDF as native objects (bye bye PDF2ID).
    True innovation no longer lies at InDesign it seems.
    CC libraries? Pff! Don’t care. Not at all.