Design How-To: Making Complex Patterns with Simple Lines
This story is taken from “Before & After” Magazine). Creativepro.com readers can subscribe to “Before & After” at a discount. Click here to [...]
January 2004
Heavy Metal Madness: Macintosh, Mackintosh, or McIntosh?
The night was dark, and stormy. It was January 24th, 1984, and I was sitting at a table in Carmel, California, waiting patiently while two coked-up restaurateurs reviewed the [...]
Acrobat How-To: Working with Layered PDFs
This story is taken from “Acrobat 6 PDF Bible.” To buy this book click here. PDF files are great, but they are so one-dimensional. Acrobat lets you produce nice [...]
Creative Thinking in Photoshop: More Improvising with Layers
The “Creative Thinking” approach to working in Adobe Photoshop encourages you to start a new layer whenever you get to a stage that you like. Collecting zillions [...]
The Art of Business: Consumer Electronics Steal the Show
Can you say “CE”? Comdex used to be the biggest trade show in America, but these days the heavyweight is the International Consumer Electronics Show (CES), which [...]
QuarkXPress How-To: Creating PDF Files
This story is taken from "Real World QuarkXPress 6." Peachpit Press is offering this book at a discount. Click here to learn more. That PDF is an important format [...]
Industry Analysis: The Quiet Revolution in Proprietary File Formats
From The Pfeiffer Report. To learn more about The Pfeiffer Report, click here. One of the most important contributing factors for the success of desktop publishing was the [...]
Digital Video How-To: Add Special Effects in Final Cut Express
This story is taken from "50 Fast Final Cut Express Techniques." To buy this book click here. If you think digital video is too hard to learn, think again. [...]
Canon EOS Digital Rebel: Pro Photo Features at Consumer Price
In the realm of digital cameras, there’s a very simple dividing line between “consumer” and “professional” models: the SLR. Single-Lens Reflex [...]
dot-font: Squaring the Typographic Circle
It’s not often that a type designer attempts a new category of typeface. Or rather, in the case of Nick Shinn’s new type family Panoptica, a new combination of [...]
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