Using Perspective Warp in Photoshop CC

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The big news in the latest Photoshop CC update is 3D printing—at least, that’s the news that’s catching most of the headlines. But there are other key technologies in this upgrade, which are likely to be of more use to the everyday Photoshop user. One of them is Perspective Warp, which allows you to correct objects photographed at an angle to make them fit into an existing scene. It’s rather like working with two Free Transform planes at right angles to each other, and—given the right starting image—it’s capable of dramatic results. Here’s how it works.

1. The starting image

Here’s a London bus on a London street. Even when the lamp posts are cut out and moved to a new layer, it still doesn’t look integrated into the scene—the relative perspectives are all wrong:

2. Starting the warp

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Choose Perspective Warp from the Edit menu, and drag a grid with one edge over the corner of the bus. An explanatory Help panel will pop up showing you what to do:

3. Adjust the grid

The four corner handles of the grid can each be adjusted individually, and you should drag it so that the grid matches the perspective of the bus. In particular, it’s important to get the vertical edges to align with the verticals on the bus:

4. Draw the second grid

Drag away from the first grid to create the second. As the two edges near each other, they’ll both turn blue; this is Photoshop’s cue that these two edges are going to be joined together:

5. The grids combined

Sure enough, when you release the mouse button, the edges snap together. From now on, these two grids are permanently joined along this edge:

6. Adjust the second grid

Drag the corner handles of the second grid in exactly the same way, so that the corners define the perspective of the front of the bus. Once again, it’s important to get the angle of the vertical edge so it aligns with the vertical side of the bus:

7. Straighten the vertical

With the grid in place, you can now press the Warp button on the Options bar to switch modes. Now, moving a corner handle will reshape the object it describes. If you hold the Shift key and click on a vertical edge, it will turn yellow and will then snap to be truly vertical:

8. Straighten the back

Shift-clicking on the right hand vertical will constrain that to a pure vertical as well, and will also straighten the front of the bus. Now, the grid is in a condition that allows you to move the handles around:

9. Adjust the perspective

As you drag any of the handles, the other handle on that vertical plane will move with it. In this way, it’s easy to adjust the apparent viewing position of the bus, making it appear to have been photographed from a different angle:

10. The finished image

It doesn’t take much effort to reshape the bus so it fits in well with the perspective of the street. Once you’ve got it where you want it, hit Enter to apply the transformation. Here, I’ve also added a drop shadow to complete the scene:

You can see a video of this process at


Steve Caplin is a freelance photomontage artist based in London, whose satirical illustrations have appeared in newspapers and magazines around the world. He is the author of the best-selling How to Cheat in Photoshop, as well as 100% Photoshop, Art & Design in Photoshop and 3D Photoshop. He writes regularly for CreativePro and is an instructor at LinkedIn Learning. His YouTube channel 2 Minute Photoshop is a library of over 100 Photoshop tutorials, each just two minutes long, hosted at When he’s not at his computer Steve builds improbable furniture, which can be seen at
  • Jim Jordan says:

    That is a nifty technique but it should be limited to objects that do not have cavities. The area to the left of the driver is distorted. If the viewer attempts to study it too closely, their senses get turned for a loop and nausea occurs.

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