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Viewing 15 posts - 586 through 600 (of 1,087 total)
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  • in reply to: Columns or Frames #74372

    Michael

    Sorry for not seeing your post earlier.

    I don’t have any links to work I have done. I work for a typesetting company, and not a freelancer. Minion Pro should have the open-type fractions you need, so I don’t think you’d need Myriad. If not, Adobe Gramond as them all.

    So far as printing, I don’t know anything about that stuff. The folks in the front office deal with that. All I do is page the books (and design some things and fix designer’s files).

    Dwayne

    in reply to: Importing Text correctly #74278

    Well,

    1) If you are adding text to a page, then the text will reflow on all the following pages. Or is something else changing?

    2) I’d definitely use paragraph styles.

    3) You should do your font size and leading in the paragraph styles. Only use character styles for some other kind of font formatting (i.e., italic, bold, colored characters, shaded characters, etc.) Character styles are for exceptions. It’s not like the old days of Quark when folks wrote character styles into their paragraph styles (which annoyed me to no end).

    in reply to: Text turns red when replaced #74275

    @Jo—Don’t get me wrong–I personally hate how InDesign works with Word. That’s why I have macros that capture all the local formatting in a Word file. Then I save it a .txt file and flow into InDesign that way.

    That sure was a lot of nicknames :)

    in reply to: Even vertical wrapping around object #74243

    The ones you want to adjust are you baseline grids (top of the dialogue box).

    You will put in the leading of your job (which is increment), and at the top of the page you give it a starting point. For example, I’m currently working on a job that has 17 point leading, and he start point for my first baseline grid is 4p10.

    In your paragraph styles you go to “Indents and spacing.” From the drop down where it says “Align to Grid” you select “All lines.”

    in reply to: Even vertical wrapping around object #74228

    Jedidah:

    You would check the leading and starting point for your baseline grid in the ID preferences.

    To align to baseline grid, that would be in your paragraph style sheet.

    in reply to: What applications can i print a print-ready pdf from? #74227

    I agree with Colleen, unless there is something we are missing/not understanding.

    in reply to: Guides – margins or page #74226

    I think the choice you make so far as the guides depends upon what you need the guides for. I personally don’t use many guides, so I never use that guides feature to set them up. If I need guides I just drag them to where I want them.

    InDesign is probably flagged as a spelling error because it’s not recognized in dictionaries as a real word, and technically it isn’t.

    in reply to: Columns or Frames #74225

    Since you are new to ID, I’d do it with three text frames (four if you count the running feet/folios—but those are on the master page regardless).

    One for the headnote AND the recipe title. That would be linked to the ingredients column and yield line, and that linked to the recipe directions (or vice versa—whichever is easier for you).

    For the headnote at the top of the page, I would have a left indent for the alignment.

    And of course, a separate paragraph style for the first ingredient so it started a new column, and the same with the first recipe direction.

    I’d keep the headnote and title together as I think it’s important to keep that space consistent, which it would not be if the boxes were separate and you had to adjust manually. It would be one less frame you have to adjust by hand for the spacing, which will have to be done for the ingredients and directions columns.

    ***
    Personally, I would do it with two frames. One full-size frame that would contain the headnote, the recipe title, and the recipe directions. Left indents for the headnote and the recipe directions. The second frame for the ingredients and yield line.

    For the ingredients I would have a separate frame with a different layer to have it on top. The main frame would be linked to the ingredients frame. I’d do the second layer so it would be easier to link and to touch.

    That way, all your spacing will be consistent via space above and below; and the only frame you would have to adjust manually to align would be the ingredients list to align with the recipe directions. I’d definitely have a separate style for the first ingredient to start the new column.

    NOTE: The running feet/folios would be on the master page anyway, so I did not count them. And I’m assuming you would use variables for running feet.

    Just out of curiosity—why are you going to do the ingredients in the order of importance? I’m just curious because I’ve worked on hundreds of cookbooks, and all of them are listed in the order in which they are used. I hope you don’t take offfense at the question. I am just curious as I don’t recall ever doing one where they were listed in importance.

    in reply to: Text turns red when replaced #74130

    ID definitely can get confused with Word files. That’s why I run macros to capture any local formatting and then save as a plain text file and import that way.

    So far as just clicking in a paragraph and selecting the paragraph style: ID is doing what you asked. If you place a word file into InDesign and tell it to bring in the local formatting from the Word file, then that’s what it does.

    And if character styles were used in the Word file, those will come through as well.

    One way to clear overrides is to hold down the option key and then click the paragraph style sheet. That will clear all local formatting, however.

    And—if there are character styles applied, you’d have to select the entire paragraph and click “none” as you did.

    Off topic—I have a good friend who’s name is Jo. People always ask her what her real name is (i.e., is Jo an abbreviation of Joanne or Josephine or something). She always says “No. My name is Jo. Just Jo.” That’s why her nickname is “Just Jo.”

    in reply to: User Interface Too Small #74055

    Bezodezo–10.8 is Mountain Lion.

    10.9 is Mavericks, and 10.10 is Yosemite.

    in reply to: Move text to next column. #74023

    Go to your paragraph style and go to the keep options and select next column.

    If you have a separate paragraph style sheet for it, you can change the style sheet. If not, select the text and go to the paragraphs styles palette and do the same thing manually.

    Or if you don’t want to mess with that, if you have an extended keyboard, you can use the “enter” key on the calculator to tell the text to go to the next column.

    EDIT: Just saw Colleen’s post. But I’ll leave mine here. I wasn’t sure if it was about overset or text linking.

    Like Colleen, I also use the direct selection tool to do it. But in her first example of a “no no,” it would be impossible to get a bleed on that left-hand side. The solution for the top is spot-on.

    We still get jobs from designers that forget about the bleeds, but those are far and few between now (thank God).

    When they are wrong, we have to fix as we are the typesetting house [thus we are responsible in the end] and there is no way in hell we’re going to pay someone $120 an hour to fix something (No offense to you Colleen). :) We will make sure everything is done correctly.

    And sometimes if a particular shape won’t bleed the way that is needed, we convince the designer to let us make it larger, or to reposition the image on the page.

    Sometimes we’ll just bleed off the top and have the left/right side of it in the safe margin (i.e., 3/8 inches from trim)

    in reply to: To Book, or not to Book? #73961

    The client doesn’t want us to use the book feature. One document only.

    in reply to: Text turns red when replaced #73940

    Is the text actually red, or is it highlighed in red (pink)?

    As Colleen said–it could be a character style.

    Word is notorious for coming in like crap. That’s why I don’t import Word files. I have macros I wrote for my company that captures any local formatting (italic, bold, superior, small caps, etc.), and we run that and then saved as a text file to import.

    in reply to: To Book, or not to Book? #73939

    I’ll be totally honest–I have never used the book feature, TOC feature, or cross-reference feature.

    One reason being that I work on long documents, and our clients insist on one single file with all the text threaded.

    The books range from 400 to 1,200 pages. And they insist on one single file.

    TOC numbers and cross-reference numbers are filled in by the proof reader or the editor.

    Another reason for me (and the company) doing things the old-fashioned way is because books need to be done at rock bottom prices, and deadlines. It’s not uncommon for us to have to get first pass done in two days (sometimes less). And for the TOC, I just usually print out the page, fill in then numbers in pencil by hand, and then type them in.

    Again, because of how much that can be charged per page and book, we don’t have the luxury of using many features that InDesign offers, such as tagging cross reference things, setting up the TOC to put in the numbers automatically, indexing, etc.

    Any extra time I spend on a job means less profit. I am totally serious when I say that every minute counts.

    Since you are new to InDesign, I’d suggest that you do one long document. It could take you a lot of time to figure out many of the features InDesign offers otherwise.

    As an aside–I remember my first InDesign job. This was back when InDesign was new (I think I had ID 1.5). Anyway–one of our clients asked if we used InDesign. Of course, our sales folks said yes–to say otherwise would have been stupid. But–I had been playing with it and teaching myself, so I was somewhat familiar. And–other vendors said “no,” which was not too smart.

    The job was supposed to be a “simple” job.

    Well–it was filled with about 200 images, and was actually very complicated. It was something I could have done in Quark with no problem as I was great with Quark. But it had to be InDesign.

    I got the job done by the deadline (back then our deadlines were a week or two), and then every InDesign job they had after that came to us.

    I ended up teaching my coworkers how to use InDesign before we had a pro come up to train us further.

    Sorry for rambling. I do think since you are new to InDesign that you take it slow and don’t overwhelm yourself. Do a long document.

Viewing 15 posts - 586 through 600 (of 1,087 total)