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Viewing 15 posts - 556 through 570 (of 1,087 total)
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  • in reply to: Find Text Frame #75039

    I’m not sure what you’re looking for.

    You can search for text frames without plugging in given sizes. Doing it without putting in a width means it will find each and every text frame, though.

    Or are you saying that (for example) the majority of your text frames are 24 picas wide, but you want to find the ones that aren’t 24 picas?

    If the latter, I don’t think you can.

    Check your InDesign preferences (under “Advanced Type”).

    It sounds like positioning is at 0 instead of the default 33.3 percent).

    in reply to: The color of pages #74917

    I don’t believe you can change the actual color, but you can apply a color label (which is below the master pages).

    Double click on your master page. Click on the top right arrow in the pages palette, scroll down to page attributes and then to color label.

    in reply to: Stopping drop caps being apply after a paragraph return #74868

    The way the “next style” works is that if you are typing a document. When it sees the hard return, it knows the next style apples.

    In your case, adding a hard return in the middle (or anywhere) in that paragraph will just keep the same style sheet applied.

    The only thing I can think of is to have your editors apply the correct style sheet to the new paragraph they created.

    Again–the “next style” doesn’t work in an instance like yours.

    You’re welcome. After a while you get used to it sometimes being pink or having a weird character on the master page.

    It happens when the font doesn’t have the character that InDesign uses. To be honest, I’m not sure what the actual character is, as it appears as whatever you named your master page. In your case, it appear as the letter “A”. I name my master page for text as “TX” so TX would appear. I think in the Quark days, the # was the character that always appeared on the master page.

    I’ve had it happen as well on running head variables, especially when using an expert font. The angle brackets appear pink as they don’t exist in the font.

    I think you either have to live with the pink character on the master page or change the font.

    It won’t hurt anything to leave it as it is.

    in reply to: Tracking in Character Style #74834

    99.9 percent of the time, I do not track text. Heads and chapter titles are a different story, however.

    But regular text, I don’t track or kern unless I have to make or a lose a line for a bad page break. And then I do it by hand, not a character style.

    Sometimes, I will changing the kerning from metric to optical depending on the font.

    in reply to: Tracking in Character Style #74832

    I say to break convention. In a situation like yours, I see no reason not to build it into your paragraph style.

    So far as your second questions–if it looks better tracked, do it. I had a book once where the font was really horrible and tight. We ended up tracking 10 in the paragraph styles.

    While it’s not always “normal” to track paragraphs, there are always exceptions.

    in reply to: Tracking in Character Style #74829

    How much tracking are we talking about? I’ve worked on jobs where the font was crappy, and the text paragraph was tracked a little bit. I never heard that it’s a no-no to apply tracking in a paragraph style.

    in reply to: GREP Styles superscript #74755

    I’m glad it works, Mathilde. It was the only thing I could think of after experimenting. Good luck with the job.

    in reply to: Typeset in Colour or Black and White #74751

    @Artwork Abode: You are definitely right about the problems with two files.

    I think, depending upon his printer, he may be able to use just one file.

    Let’s keep our fingers crossed :)

    By the way–Thanks for your great advice in these forums.

    Dwayne

    in reply to: Typeset in Colour or Black and White #74745

    You seem to be doing fine, HaKa2012. I hope you stick around a long time here at the forums.

    You’re right–you want paragraph styles for every element, and I mean every element. And the same thing with character styles. It’s especially needed for when it goes to ePub/eBook (at least that’s what demanded of my company).

    One hint I will pass along is kerning combinations. On some fonts (such as Adobe Garamond, Caslon, Minion, Electra) the space between a lower case f and the following letters F W V T h l b look like crap and almost crash. So does the letter f followed by ? and !.

    I always search and replace on those and replace with optical kerning (as usually our text styles use metric).

    in reply to: Character formatting in Section Markers #74744

    @Artwork Adobe: But how does that help with the running head variables?

    @Matt: I tried a few things, and I can’t find a way to do what you want. InDesign does indeed treat the variable as a single character.

    So far as the ® symbol not being superior–sometimes the superior looks like crap as it’s way too small and its too high. Which can be changed in the type preferences as Artwork Adobe said–but that would apply to ALL superiors.

    Some fonts do have it superior automatically, but the majority don’t. I know what you mean.

    Actually, I’ve work with a lot of major book publishers, and they prefer to have the ® symbol full size (but a few point sizes smaller with a baseline shift).

    Sorry I can’t help with your variable problem.

    in reply to: Typeset in Colour or Black and White #74742

    ^^Ahh–that answered my question. There is no need to apologize. :)

    Then in the case you are talking about, I’d just leave everything as color.

    It shouldn’t be an issue to print as black and white.

    Maybe when it’s all finalized, you can make a PDF that is black & white and one that is color (and labeled accordingly).

    PPD stands for postscript printer description. That is the postscript settings for your particular printer (either you printer in-house or the one you send it out to). They may have a preferred one.

    Since you are sending this out to be printed in black and white, I’d contact the printing house that will be doing the printing and see what they recommend. And if’t not clear, we can try to help you with it.

    in reply to: GREP Styles superscript #74741

    I’ve done my share of the bibles in the past, but that was in the Quark days.

    I’m not sure how you can get those drop cap numbers to work. I just tried an experiment using a character style for the drop cap (making sure it was normal and not superscript), the GREP ignores it.

    ****

    Did another test–I did something different for the drop cap paragraph style. I deleted the grep thing.

    Then I set up a nested styles for it instead.

    1) None through one character
    2) None up to 1 digit
    3) Superior [character stylesheet] up to one space band
    4) Repeat last 2 styles.

    Note: I had to use a space, as I’m guessing that there will always be a space following the superior figure, or a hard return, which won’t matter if it’s superior. And I’m guessing any punctuation would be before the digits.

    Maybe you can do something like that for the drop cap paragraph styles.

Viewing 15 posts - 556 through 570 (of 1,087 total)