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Hard-to-explain tracking question

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    • #1179987

      Let’s say I have a paragraph of text. In the middle of the paragraph are three lines that look like this:

      According to experts, the
      answer is a resounding
      no again and again from

      As you can see, the word “no” wraps to the next line, but I want it to be on the line with “answer is a resounding” so I select “answer is a resounding no” and try to adjust the tracking to make it all fit on one line.

      Sometimes, tightening the tracking (option-left arrow) will simply pull the “no” up to the previous line as I expect. But, at other times, strange things happen.

      Sometimes tracking will actually pull “the” from the end of the line above down to the first of the line with “answer is a resounding” even though “the” was not part of the selection. And sometimes, tracking will just squish “answer is a resounding” together until there’s more than enough room at the end of the line for “no” but it won’t pull up “no” until there’s way, way more than enough room for “no” and the entire line of “answer is a resounding no” is shorter than it was when it was just “answer is a resounding” alone.

      Why is this happening and how could I keep it from happening?

    • #14324316
      Keren Pilli
      Member

      Hi Stephen,

      Have you checked whether ‘Adobe Single-line Composer’ is selected? If it’s set to ‘Adobe Paragraph Composer’ (the default), InDesign will automatically alter the line breaks to what it think looks best. I always set mine to ‘Single-line’ so I have full control over the typesetting. These two options are found in the dropdown menu of the Paragraph panel.

    • #14324315

      If you want “resounding” and “no” kept together, you can simply instruct InDesign to do so, rather than fight against the optimizing line breaking algorithm.
      You can change the space between them to a non-breaking space, or select both words and choose “No Break” from the Character panel popout menu.

      (I use No Break so often that I allocated a shortcut key to it.)

    • #14324314
      David Blatner
      Keymaster

      Single-line composition is more straightforward to control, but multi-line will almost always provide a more pleasing look because it’s looking at spacing in the whole paragraph rather than just one line at a time. I like Theunis’s idea of using No Break for special exceptions like this.

      See also:
      https://indesignsecrets.com/why-no-break-is-better-than-a-line-break.php
      and
      https://indesignsecrets.com/the-great-paragraph-composer-paradox.php

    • #14324313

      Ditto on using the no-break. I use that all the time.

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