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Importing InCopy Files

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    • #82432

      Just a quick question as I don’t use InCopy.

      We have a customer who does use Indesign and InCopy. They want to give us their sample design file and the InCopy files. We will tweak/fix the design file and then they want us to import/flow-in/update the InCopy material.

      From what I gather, I update the links pallette from where the InCopy files are linked? Is that correct?

      Do I actually need to have InCopy installed?

      Or do I just update in the links palette and the text flows in/updates?

      Thanks in advance.

    • #82436

      Replying to myself. It seems I don’t need InCopy so long as they are supplying the files, and I should be able to import okay.

      But–are there certain things I should watch out for or be aware of?

      Or is it basically importing like I would a graphic (but it’s text instead).

    • #82546

      You don’t need InCopy, no. But moving the INDD file around after it has linked stories is just asking for trouble. It should stay on the server.

      It sounds like the ID file is not yet linked to the IC files. They’re just like Word files that haven’t been flowed in. Is that right? In that scenario, it should work fine. You import the InCopy files just like Word files. (Except there is no Import Options dialog box). If you need to edit the contents of the text frames you’ll need to check the stories out first.

      AM

    • #82586

      Thanks, AM.

      I’ve played around with it a little bit. I should be getting the job next week. And yes, I will have to import the file and I will definitely be checking out the stories first to page it, and then when saving, check in the links (or whatever it’s called).

      It looks like once I get first pass pages done, I will be returning the ID file to them (as well as an exported InCopy file). And they will supposedly do 2nd pass corrections and stuff. Of course, they may send it back to us to repage, so their incopy file will be sent to me at that time again.

      This whole thing is going to be a nightmare, I think. Some of their editors don’t work at the publisher’s place of business and may work at home. And the publishers are in NYC, and I’m in Syracuse. So keeping the linked stories on one server is pretty much impossible.

      This is something new they are doing, and I have no idea where they got the idea from. I guess I understand how they want to do things electronically instead of writing down their corrections on the actual page proofs, but I think it’s a disaster waiting to happen.

      For example, let’s say they take my exported first pass InCopy file. They do their corrections and send it back to me. I then update my ID file so I can repage–but I have no idea what changes were made. ID won’t highlight any changes they made, so for all I know they could have made a correction on page two, which caused a bad line break. Or inserted a paragraph somewhere which caused reflow, and I will have to go through the entire document to see where it was inserted. Or deleted. Or they type in new ellipses (three dots). In the first pass they will have thin-spaces between the periods, but if they type it in InCopy, it won’t be. Same thing with italic versus character styles.

      I and the proof room will basically have to check each and every page 2nd pass. If we had hard-copy to see the corrections it wouldn’t be an issue. But there will be no hard copy.

      Can you imagine the nightmare I and the company I work for will be facing?

      I shudder thinking about it.

      But the publisher is going through some company who streamlines things and they must think it’s the way to go. I hate companies like that–they don’t use common sense.

      Reminds me of a company years ago who advised us that we should page jobs in Word Perfect because that was the way of the future…

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