Ten Essential Books on Typography & Design

I am frequently asked by students and professionals alike to recommend a book to fill in their knowledge of type and design and to act as a reference. These days, there are dozens, if not hundreds, of books on the graphic arts to choose from, but I have focused on those tried-and-true books that are respected by many professionals in the field. These books serve to provide and support the building of a strong foundation in typography, act as creative inspiration, and emphasize the importance of excellence in every aspect of the design process. Here is my selection of books that I believe every designer should have close at hand.

The Elements of Typographic Style, 4th edition, by Robert Bringhurst, Hartley & Marks, Publishers, 2013.

This important book by renowned Canadian typographer and poet Robert Bringhurst is a classic of this genre. Bringhurst brings clarity to the art of typography within its slim and simple pages, in an elegant, to-the-point manner. The Elements of Typographic Style is more than a style guide. It is also a brief history of typographic art, a compact encyclopedia of typographic symbols, concepts, and traditions, and an informative and also entertaining reference of both the old and the new.

Combining the practical, theoretical, and historical, this 4^th edition is completely updated with a thorough exploration of the newest innovations in intelligent font technology, and is a must-have for graphic artists, editors, or anyone working with the printed or digital page.

Thinking with Type, 2nd revised and expanded edition: A Critical Guide for Designers, Writers, Editors, & Students, by Ellen Lupton, Princeton Architectural Press, 2010.

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Thinking with Type is a small gem of a book that is a beautifully designed, concise guide to using typography, from the printed page to the computer screen. Ellen Lupton, a leading design author and educator, has created a truly stunning format chock full of helpful illustrations and images to accompany the text.

This revised edition includes information on the use of lining and non-lining numerals, small caps and enlarged capitals, ornaments and captions, style sheets for print and the web, as well as information on captions, font licensing, mixing typefaces, and hand lettering. Thinking with Type is a type book for everyone: designers, writers, editors, students, and anyone else who works with words. The popular online companion to Thinking with Type has been revised to reflect the new material in the second edition.

Stop Stealing Sheep & Find Out How Type Works 3rd edition, by Erik Spiekermann, Adobe Press, 2013.

After two decades as one of the world’s best-selling books on designing with type (including editions in Korean, German, Russian, Portuguese, and Polish) Stop Stealing Sheep & Find Out How Type Works continues to educate, entertain, and enlighten design students and type lovers around the globe. In this third edition, acclaimed type designer Erik Spiekermann brings his type classic fully up to date on mobile and web typography. He also includes scores of new visual examples on how to effectively communicate with type, and a full selection of new typefaces that are used and referenced throughout the book.

If you use type–and these days, almost everyone does–Spiekermann’s engaging, common-sense style will help you understand how to look at type, work with type, choose the best typeface for your message, and express yourself more effectively through design. Compact, yet rich with anecdotes and visual examples, the handbook’s multilayered design not only makes for a fun, fast read; it also invites exploration, ensuring you learn something new each and every time you open it up.

Fonts & Logos: Font Analysis, Logotype Design, Typography, Type Comparison 1st edition, by Doyald Young, Delphi Publishers, 1999.

Fonts & Logos is a comprehensive book on basic typography by the highly respected (and much beloved) teacher and master of the letterform, Doyald Young. It provides an overview of typography as well as a technical guide that covers legibility, font design, the compatibility of type styles, and the function of type within logos. A total of 377 fonts are shown and discussed, and 91 pages are devoted to the analysis of the serif letter. Nearly 40 pages are devoted to one case study, and the “How I Work” chapter details the author’s process step by step.

Three categories form the backbone of the book: Serifs, Sans Serifs, and Scripts. You will ?nd detailed discussions of logos of the same type style. The “Font Sampler” chapter looks at 37 fonts: classic, workhorses, favorites, and more. This book is an essential text for both students and professionals involved with typography and logotype design.

Meggs’ History of Graphic Design 6th edition, by Philip B. Meggs and Alston Purvis, Wiley, 2016.

Meggs’ History of Graphic Design is the industry’s unparalleled, award-winning reference. With over 1,400 high-quality images, this visually stunning text guides you through a saga of artistic innovators, breakthrough technologies, and groundbreaking developments that define the graphic design field.

Meggs presents compelling, comprehensive information enclosed in an exquisite visual format. The text includes classic topics such as the invention of writing and alphabets, the origins of printing and typography, and the advent of postmodern design. This new sixth edition has been updated to include key developments in the digital era, emerging design trends and technologies, and a lot more. For professionals, students, and everyone who works with or loves the world of graphic design, this landmark text is an invaluable guide that deserves a place in every creative’s library.

Typographie: A Manual of Design Hardcover, 7th revised edition, by Emil Ruder, Verlag Niggli AG, 2001.

Emil Ruder’s Typographie is the timeless textbook from which generations of typographers and graphic designers have learned their fundamentals. Ruder, one of the great twentieth-century typographers, was a pioneer who abandoned the conventional rules of his discipline and replaced them with new rules that satisfied the requirements of his new typography. Ruder discusses his philosophy, including the power of white space, grids, and other foundations of good typography. Now in its seventh printing, this book has a hallowed place on the bookshelves of both students and accomplished designers.

The Typographic Desk Reference: TDR, 2nd edition, by Theodore Rosendorf, Oak Knoll Press, 2016.

The Typographic Desk Reference (TDR) is an encyclopedic reference guide of typographic terms and classification with definitions of form and usage for Latin based writing systems. The second edition has doubled in size, the specimens have been reclassified to modern standards, and the index (now one-sixth of the book) has been deeply cross referenced, allowing the reader to—among other things—find glyphs required for a particular language.

The book includes the following four main sections: Terms, Glyphs, Anatomy & Form, and Classification & Specimens. Designed for quick consultation, entries are concise and factual, making the book handy for desktop use. I have referred to the TDR many times, as there is no better typographic dictionary.

The Complete Manual of Typography: A Guide to Setting Perfect Type, 2nd edition, by James Felici, Peachpit Press, 2011.

The Complete Manual of Typography is a richly illustrated book about how type should look, and how to make it look that way; in other words, how to set type like a professional. It explains in practical terms how to use today’s digital tools to achieve the secret of good design: well set type. An essential reference for anyone who works with type: designers, print professionals, and corporate communications managers can go to straight to the index to ?nd focused answers to speci?c questions, while educators and students can read it as a textbook from cover to cover.

InDesign Type: Professional Typography with Adobe InDesign, 3rd edition, by Nigel French, Adobe Press, 2014.

Adobe InDesign is the world’s premier page-layout tool, and its robust palette of typographic controls is a big reason why. This fully updated third edition by InDesign expert Nigel French is a comprehensive guide to creating professional type with this software. It covers micro and macro typography concepts, from understanding the nuance of a single spacing width to efficiently creating long and complex documents. Packed with visual examples, this excellent reference not only shows how to use InDesign’s extensive type features, but why certain approaches are preferable to others. Whether you’re creating a single-page flyer or a thousand-page catalog, for print or for onscreen viewing, InDesign Type is an invaluable resource for getting the most out of InDesign’s typographic toolset. At this time, Nigel is hard at work on a fourth edition, which is scheduled to be published on June 6, 2018.

Editor’s note: It would be a major “type crime” if we didn’t include one last typography book in this list… by the author herself!

Type Rules! The Designer’s Guide to Professional Typography 4th edition, by Ilene Strizver, Wiley, 2013.

Type Rules!, now in its fourth edition, is an up-to-date, thorough guide to the principles and practices of typography. From the fundamentals to advanced techniques used by type-savvy professionals, this edition has everything today’s serious designer needs to use type effectively, written and illustrated in a straightforward yet engaging manner. Type Rules! includes topics such as how to select the appropriate type for the job, understanding and applying the powerful features of OpenType fonts, spacing and kerning, avoiding common type crimes, how to fully harness the typographic power of InDesign, and a lot more. It also includes dozens of exercises to reinforce the understanding and application of the contents.