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Scanning Around With Gene: Even More Election Propaganda

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I’m perhaps a bit late with this topic, seeing how the recent elections are finally over, but I thought it might be fun to see how some past candidates for public office promoted themselves. It seems that not that much has changed, though you could argue the graphics have gotten a bit more sophisticated.

These days you still see most of the basic campaign promotions – buttons, bumper stickers and posters. And large-scale graphics have had a big impact on campaigns as well. Everywhere you look these days it seems there are very large signs and stage-backdrops, but even those are nothing new. I’ve included a variety of images today, many from the Library of Congress collection and a few from various online sources. Some are “official” campaign materials, and others are independent – produced by outsiders to promote their candidates. And just for fun, I’ve included a few fictional or joke candidates in the mix. Click on any image for a larger version.

Of course the emphasis in campaign materials is on the candidate, so you almost always get a photograph or illustration of that person, front and center. As you’ll see, Barack Obama wasn’t the first to use highly stylized imagery.

And there is no doubt the predominant color theme for election material is red, white and blue, which I guess makes sense, but I do have to say I really like it when candidates veer from this cliché.

I think it’s key for candidates to have a variety of campaign materials so people don’t get too sick of seeing the same image over and over again, but of course the efficiency of large print quantities and the control that comes with consistency is very appealing to a campaign.

These days most everything is offset printed, so material looks pretty slick, but in the past it was very common to see campaign materials that were screen printed, or even hand made, giving them a quite-different look.

I can’t say I’ve noticed any patterns that distinguish winners from losers when it comes to campaign materials, though it does seem most of the winners have pretty straight-forward graphics.

In recent elections most candidates have a logo – not just type – to promote themselves. This is relatively new, though the choice of typeface in the past did say something about the individual candidates. I’m sort of over the logo-look and wish we’d return to more basic poster layouts – I’m voting for a candidate, not a bar of soap.

Most candidates are shown smiling, though that isn’t the case for the older posters – I’m not sure why people didn’t smile as much back in the early days of photography and illustrations. Maybe they felt it was unsophisticated.

I’m really glad the current round of elections are over – I was getting very tired of seeing so much of the candidates, even the ones I support. I’ve often thought it would be fun to design a campaign look, though it is certainly hard to avoid some very obvious clichés. But then in some ways that’s what elections are all about – saying the same thing over and over again until everyone is sick of it!

Gene Gable

Gene Gable

Gene Gable has spent a lifetime in publishing, editing and the graphic arts and is currently a technology consultant and writer. After a decade in commercial typesetting and design services, he chronicled the desktop-publishing revolution from his post as publisher and president of Publish magazine. With nine international editions, Publish became the leading global resource on the use of digital technology for print and Web production. Gable served on the operational boards of International Data Group's PCWorld, The Web and PC Games magazines and was earlier publisher of Sporting Times magazine. During his tenure at Ziff-Davis Gable was on the executive team responsible for major business events such as Comdex, Networld+Interop and JavaOne. As president of Seybold Seminars and publisher of The Seybold Report, Gable managed a global slate of conferences, trade shows and other graphic-arts educational products. During his leadership Seybold events featured prominent speakers such as Arthur Sulzberger Jr., publisher of the New York Times, Steve Jobs, CEO of Apple Computer, Christie Hefner, president of Playboy Enterprises, Bruce Chizen, CEO of Adobe Systems, and Daniel Carp, CEO of Eastman Kodak. Gable has spoken at events around the world and has written extensively on graphic design, intellectual-property rights, and publishing production in books and for magazines such as Print, U&lc, ID, Macworld, Graphic Exchange, AGI, and The Seybold Report. His clients have included A-list brands in technology and financial services. Gable's interest in graphic design history and letterpress printing resulted in his popular columns "Heavy Metal Madness" and "Scanning Around with Gene" here on CreativePro.com. Follow Gene on Twitter
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Posted on: November 9, 2012

Gene Gable

Gene Gable has spent a lifetime in publishing, editing and the graphic arts and is currently a technology consultant and writer. After a decade in commercial typesetting and design services, he chronicled the desktop-publishing revolution from his post as publisher and president of Publish magazine. With nine international editions, Publish became the leading global resource on the use of digital technology for print and Web production. Gable served on the operational boards of International Data Group's PCWorld, The Web and PC Games magazines and was earlier publisher of Sporting Times magazine. During his tenure at Ziff-Davis Gable was on the executive team responsible for major business events such as Comdex, Networld+Interop and JavaOne. As president of Seybold Seminars and publisher of The Seybold Report, Gable managed a global slate of conferences, trade shows and other graphic-arts educational products. During his leadership Seybold events featured prominent speakers such as Arthur Sulzberger Jr., publisher of the New York Times, Steve Jobs, CEO of Apple Computer, Christie Hefner, president of Playboy Enterprises, Bruce Chizen, CEO of Adobe Systems, and Daniel Carp, CEO of Eastman Kodak. Gable has spoken at events around the world and has written extensively on graphic design, intellectual-property rights, and publishing production in books and for magazines such as Print, U&lc, ID, Macworld, Graphic Exchange, AGI, and The Seybold Report. His clients have included A-list brands in technology and financial services. Gable's interest in graphic design history and letterpress printing resulted in his popular columns "Heavy Metal Madness" and "Scanning Around with Gene" here on CreativePro.com. Follow Gene on Twitter

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