A Type Geek’s Ultimate Calendar

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I’m probably the odd man out when it comes to designers and type: I can’t identify a typeface at 100 paces and I don’t hate Papyrus with a bloodthirsty passion. In all fairness though, I think Bud Light and Guinness taste similar, so you probably shouldn’t trust my palate.

If you are among the many who froth at the mouth at the mere mention of elegant ascenders, precise kerning, and exquisitely-crafted serifs, you might want to put this typography calendar on your holiday wishlist. Produced by Workman Publishing—creators of the iconic Page-A-Day calendars—the Just Type 2015 wall calendar features a different typeface each month. The accompanying information ranges from the history of the typeface, prominent instances of its usage, and designer and foundry trivia.

The days of the week and the individual dates are displayed in varying weights and styles. Each month’s name is prominently featured and diagrammed with x-height, serif characteristics, and other typographical minutia. You know you want to snatch one up one for your type-loving self or type geek friend. Go for it; I’ll be over here deciding between Crackhouse and Boycott* for my next graphic masterpiece.

*even I’m not crazy enough to invoke the name of the evil that is “Comic Sans.”

Erica Gamet has been involved in the graphics industry for over 35 years. She is a speaker, writer, trainer, and content creator focusing on Adobe InDesign, Apple Keynote, and varied production topics. She is a regular presenter at CreativePro Week, regular contributor to CreativePro Magazine, and has spoken at Canada’s ebookcraft, Adobe MAX, and Making Design in Oslo, Norway. Find Erica online at the CreativePro YouTube channel, CreativeLive.com and through her own YouTube channel. When she isn’t at her computer she’s probably daydreaming about travel or living in a Nordic noir landscape.

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  • Kerry Jenkins says:

    Of course, the real type geeks would prefer a page-a-day version!

  • Ekwoman says:

    Maybe the publisher will get on that for next year!

  • SandeeCohen says:

    Disappointed with the little note on the left side of the February page for Matrix.

    Font respond well to “scaling, stretching, obliquing”? OUCH! They show horrible condensing and fattening of the letters.

    I’ve spent the past 25 years explaining to students that horizontal and vertical scaling should only be used very slightly to fit text into awkward situations. That’s what the “Glyph Scaling” setting in InDesign is there for. But only as a last resort.

    The examples they have shown are horrible monstrousities (worse than Comic Sans) that are an insult to the original font designer!

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